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Half Room | The open corner, Fanhua Chair
← JournalDak Haan × BDSD Boundless Design | Half Room, Guangzhou Design Week 2025

Gatherings | Guangzhou Design Week: Take a Seat in Half Room

At Guangzhou Design Week 2025, Dak Haan founder Zhou Anbin and BDSD Boundless Design founder Lin Wenke co-curated Half Room, a 209-square-metre white timber house: half given to space, half to time. The Fanhua Chair hangs in its open corner, inviting people to pause.

Exhibition

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Guangzhou Design Week: Take a Seat in Half Room
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Half Room | Exhibition poster. Image: BDSD Boundless Design

In The Importance of Living, Lin Yutang wrote that the life of leisure is not the exclusive right of the rich and successful, but the product of an intelligent way of living.

This kind of leisure is not idleness but a state of ease and fullness. At Guangzhou Design Week 2025, Dak Haan founder Zhou Anbin and BDSD Boundless Design founder Lin Wenke curated an exhibition together, and built such a vessel amid the noise of the halls. They called it Half Room.

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Curators | Lin Wenke and Zhou Anbin
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Half Room | Front of the stand | Fanhua Chair

Related works: Fanhua Chair

01 The Idea | Half for Space, Half for Time

In Chinese, jian means both a room and a span of time. Half Room answers a contemporary ideal of living: half left to space, to hold things; half left to time, to let things happen.

The stand is a white timber house of 209 square metres. It distils the arcades of Lingnan qilou buildings and the idea of being half inside and half out, half public and half private, then expresses them in a minimal Western modern language as a light, open box.

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Entrance | Dak Haan sign and banana leaves

02 Entrance and Veil | Half Hidden, Half Shown

The whole stand is lightly veiled in translucent fabric, so the outlines of objects and light show through the haze, like the screens and lattice windows of older buildings. People outside see a little but not all of it, and want to walk round and in.

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The veil | Banana leaves against the fabric
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The veil | The sofa area seen through the fabric

03 Objects | Dak Haan Furniture

Dak Haan's motto is roughly "gain from being busy, reward from being idle": translating Eastern ways of living into a contemporary language and finding an unhurried rhythm among things. On the Dak Haan side, the furniture is laid out like a home.

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Inside the entrance | Ruying Mobile TV Stand

Related works: Ruying Mobile TV Stand

Inside the door are a banana plant and a television. The TV stands on the Ruying Mobile TV Stand, which rolls from place to place instead of being fixed to a wall.

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A corner by the wall | Pianpian Drawer Chest, Linlin Round Dining Table, Zhizhu Chair

Related works: Pianpian Drawer Chest · Linlin Round Dining Table · Zhizhu Chair — Solid-Wood Legs

Against the wall is a green Pianpian Drawer Chest, with an all-travertine Linlin Round Dining Table in front and a black Zhizhu Chair, whose lines are drawn from the back of a bamboo chair.

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Sofa area | Shanjian Sofa, Linlin Round Coffee Table, Meigui Lounge Chair

Related works: Shanjian Sofa · Linlin Round Coffee Table · Xiguan Shelf

Further in is the sofa area. In front of the cream Shanjian Sofa sits a stone-topped Linlin Round Coffee Table. The blue Meigui Lounge Chair comes from the square, low-backed form of the traditional "rose chair", and sits by a window or a table without blocking the view. Behind them stands a black Xiguan Shelf.

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Lounge | Yueban Sofa, Mumu Stool, Yanxia Coffee Table, Xiaoyuan Lounge Chair

Related works: Yueban Sofa · Mumu Stool · Yanxia Coffee Table · Xiaoyuan Lounge Chair

On the lounge wall is the motto, "gain from being busy, reward from being idle". Beside the caramel Yueban Sofa are a black Xiaoyuan Lounge Chair, a black-framed glass Yanxia Coffee Table, and a red Mumu Stool.

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Lounge | Moran Screen, Youmi Sofa, Yifang Coffee Table, Half-Hundred% Screen

Related works: Youmi Sofa · Yifang Coffee Table · Half-Hundred% Screen

A green Moran Screen divides the lounge. On this side is the Yueban Sofa; on the other, a black Youmi Sofa, designed by Zhang Shiqi, with the blue Yifang Coffee Table in front and, further back, the dark Half-Hundred% Screen.

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By the plants | Half-Hundred% Lounge Chair, Yifang Coffee Table

Related works: Half-Hundred% Lounge Chair · Yifang Coffee Table

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By the plants | Half-Hundred% Lounge Chair

Related works: Half-Hundred% Lounge Chair

The green Half-Hundred% Lounge Chair stands between the plants and the screen. It takes the skeleton that usually hides inside a sofa into the open, with straps woven into seat and back.

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The inner room | Youmi Sofa, Yanxia Table, Half-Hundred% Screen, Half-Hundred% Lounge Chair, Xuanwu Chair, Linglong Shelf

Related works: Youmi Sofa · Yanxia Table — Solid-Wood Legs · Half-Hundred% Screen · Half-Hundred% Lounge Chair · Xuanwu Chair · Linglong Shelf

At the back is a green-stone Yanxia Table, with the Half-Hundred% Screen to one side. A blue Linglong Shelf stands against the wall, and green Half-Hundred% Lounge Chairs and cane Xuanwu Chairs sit around the table.

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The open corner | Fanhua Chair

Related works: Fanhua Chair

04 The Open Corner | The Fanhua Chair

"Half" means incomplete, not absolute, leaving something for the viewer to finish. One corner of the stand opens deliberately outwards, and there Dak Haan's new ultralight carbon-fibre Fanhua Chair hangs like an installation.

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In front of the light wall | Fanhua Chair

Related works: Fanhua Chair

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In front of the light wall | Carbon-fibre filament of the Fanhua Chair

Related works: Fanhua Chair

05 A Closer Look | Fanhua Chair: a chair from a loop of string

The Fanhua Chair is a 2021 design by Zhou Anbin. It comes from cat's cradle, a childhood game: a closed loop of red string, passed between two people's fingers, turns into shape after shape, with endless room for imagination and fun. The chair winds carbon-fibre filament between fixed points into the lines of a seat.

At Half Room it is a new piece from Dak Haan, placed in the open corner of the stand, where passers-by can stop, sit for a moment and move on.

Prototyping: work on the Fanhua Chair ran from 2019 to 2025, through nine versions, and only in 2025 did it take its finished form and enter production; it was shown at a fair in 2021. In January 2020 the seat mesh was first tried by winding filament between nails on a board, then an early chair was built, the back curve set with cardboard and tape. In February and March 2021 a white jig was used, with fixed points set on the frame; carbon-fibre filament was wound on point by point, the seat and back meshed on a round and a rectangular mould, and the finished black chair was lifted off the jig.

Related works: Fanhua Chair

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Prototype | Carbon-fibre filament wound between fixed points on the jig, 2021

Related works: Fanhua Chair

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Prototype | A prototype chair from 2021

Related works: Fanhua Chair

Project Details

Exhibition | Half Room

Area | 209 m²

Type | Joint stand, Guangzhou Design Week 2025

Venue | Guangzhou Design Week, Guocai Hall, 13B03

Dates | 5–8 December 2025

Curators & design | Lin Wenke (BDSD Boundless Design) & Zhou Anbin (Dak Haan)

Furniture brand | Dak Haan

Dak Haan Pieces in This Story (21)

Fanhua Chair (Zhou Anbin, 2021) · Ruying Mobile TV Stand · Pianpian Drawer Chest · Linlin Round Dining Table · Zhizhu Chair (Zhou Anbin, 2023) · Shanjian Sofa · Linlin Round Coffee Table · Meigui Lounge Chair (Zhou Anbin, 2022) · Xiguan Shelf · Yueban Sofa · Mumu Stool · Yanxia Coffee Table · Xiaoyuan Lounge Chair · Moran Screen · Youmi Sofa (Zhang Shiqi) · Yifang Coffee Table · Half-Hundred% Screen · Half-Hundred% Lounge Chair · Yanxia Table · Linglong Shelf · Xuanwu Chair

Image Credits

On-site photographs (empty-stand finals): the Half Room stand. Prototype photographs: Dak Haan. Posters and curator portraits: BDSD Boundless Design.

Dak Haan pieces in this story

Work with Dak Haan

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